How to Choose the Right Digital Camera Lens

How to Choose the Right Digital Camera Lens
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How to Choose the Right Digital Camera Lens

Now you have gotten a camera its time to know How to Choose the Right Digital Camera Lens. Every camera owner faces the fun dilemma of picking up the best lenses for purchase and then decide which to use. There are no rules to go by, though: there is a lot to do with your own style and your own. We give the following to help you decide which lenses to purchase and how best to use.

Standard lenses: Most 35 mm photographers today opt for a short zoom in place of 50 mm, but the virtues of both are strong. Anything in the range of f/1.4-f/2 will make a 50 mm beat when you need a good, general-purpose lens. Positive. Generally lightweight, slightly lighter than short zoom, sometimes less expensive, usually very sharp. Objectives: no zoom; the camera must be shifted to write.

Short zooms are versatile for framing, often not much larger in a box than a 50 mm lens. The smallest and least expensive is usually the 35-70 mm F/3,5-4,5, but 28-70 mm F / 3,5-4,5 are more useful for indoor, view and clamped areas, as it’s up to 28 mm. Try a lightweight 35-105 mm or a 35-135 mm zoom whether you’re taking close-up portraits, nature or sports.

Standard zoom positive: It offers intermediate focal lengths, comparable to two or three individual focal length lenses in a convenient sensitive package; lenses have less to turn. Ordinary zoom negatives: mild opening (typically f/3.5-4.5) restricts low-light shooting and manually focused focusing accuracy to brightness of viewing. Zoom lenses are typically bigger, heavier, more expensive than 50 mm.

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Wide-angled lenses: from 24 mm (extra-wide bordering) to 35 mm (Semi-wide bordering). As normal it is the option from very small, one-focal lenses with relatively wide aperture (f/2-f/2.8, some f/1.4s) and moderate zooms with high aperture range (around f/ 3.5-4.5). See normal lens section above for both positive and negative forms.

A range of small zooms, including 24 to 50 mm, 25 to 50 mm, 28 to 50 mm, etc., have standard and broad-angle focal length. A few combine ultrawide (21-35 mm, 18-28 mm) with short focal length (see ultrawide section below). (see, among other things). Most are less than 50 mm in length and heavier. While the zoom ratio (long divided by short focal length), which is 25-50 mm or 21-35 mm may not sound as impressive. Stick to a single focal length if you need a very fast wide-angle for light or moderate shooting (for example, 35 mm f/ 1,4, 28 mm f/2, 24 mm f/2).

Ultra-wide-angle lenses: They have an extensive angle coverage of 90 degrees or more with focal lengths of 21 mm and below in 35 mm format. Positive: Because of the low magnification of the image, Ultrawides have high depth of field, more likely to produce sharp images if handheld at slow shutters. Good for expansion and captivation of intimate photojournalism, street photography, small interior spaces. Negatives: The obvious distortion of perspective is problematic in portraiture, although useful for dramatic or comic effects. Do not place subjects in the foreground near the edges of the structure or influential objects, such as the noses.

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Medium TV lenses: These 85-135 mm lenses, also referred to as portrait lenses, are ideal for portraiture, reduce the obvious distortion of the viewpoint and offer comfortable working distance in close-up video. In this range, many tele-zooms work well. However, they are lighter than single focal lenses, longer and slower.You should consider taking an 85 mm f / 2, 100 mm f / 2, or 105 mm f/2.5, even though you own your mobile, if you take a significant percentage of the portraits. Positive: discreet images can be taken without long teles’ perspective flattening effect. The single focal length blends quick transparency, clear viewing and excellent image quality. Possible: Positive: Negative: See above for zooms; relatively adapted for single focal length.

Broad television lenses: A broad television is typically an over-135 mm lens. Zooms in the 80-200 mm or 70-210 mm range are currently the most common. When you do not need a lenses that are fast and long (e.g. 300 mm and 400 mm f/2,8s, which are excellent optically but large, heavy and very costly), tele zoom is the most versatile and economical option.

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The only long television they’re going to need for many photographers is a 70-210 mm (especially one with macro). Scale, weight and price are fair, and there are a number of uses – nature, sports, men, portraits, scenes, etc. Negative: Medium and variable opening; moderate output except when stopped. There are a range of incredibly lightweight 100-300 mm f/5.6s now available for those who need more coverage and for those with very long cables such as long-haul sports close-ups, there are a few great 200-500 mm f/5.6s. Big zoom negatives for television: greater scale and weight.

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